Adición de bibliografía relacionada a Culture Machine

bibliografia/bibliografia.bib

@@ -447,4 +447,77 @@
   url       = {https://es.scribd.com/doc/219559856/Kant-La-Metafisica-de-Las-Costumbres},
 }
 
+@Article{hall2009a,
+  author    = {Hall, Gary},
+  title     = {Introduction: Pirate Philosophy},
+  journal   = {Culture Machine},
+  year      = {2009},
+  volume    = {10},
+  pages     = {1-5},
+  issn      = {14654121},
+  file      = {:recursos/Introduction\: Pirate Philosophy.pdf:PDF},
+  timestamp = {2017-02-20},
+  url       = {http://www.culturemachine.net/index.php/cm/issue/view/21},
+}
+
+@Article{mcleod2009a,
+  author    = {McLeod, Kembrew},
+  title     = {Crashing the Spectacle: A Forgotten History of Digital Sampling, Infringement, Copyright Liberation and the End of Recorded Music},
+  journal   = {Culture Machine},
+  year      = {2009},
+  volume    = {10},
+  pages     = {114-130},
+  issn      = {14654121},
+  file      = {:recursos/Crashing the Spectacle.pdf:PDF},
+  timestamp = {2017-02-20},
+  url       = {http://www.culturemachine.net/index.php/cm/issue/view/21},
+}
+
+@Book{hall2016a,
+  title     = {Pirate Philosophy: For a Digital Posthumanities},
+  publisher = {MIT Press},
+  year      = {2016},
+  author    = {Hall, Gary},
+  isbn      = {9780262034401},
+  abstract  = {<p>In<em>Pirate Philosophy</em>, Gary Hall considers whether the fight against the neoliberal corporatization of higher education in fact requires scholars to transform their own lives and labor. Is there a way for philosophers and theorists to act not just<em>for</em>or<em>with</em>the antiausterity and student protestors -- "graduates without a future" -- but<em>in terms of</em>their political struggles? Drawing on such phenomena as peer-to-peer file sharing and anticopyright/pro-piracy movements, Hall explores how those in academia can move beyond finding new ways of<em>thinking</em>about the world to find instead new ways of<em>being</em>theorists and philosophers in the world.Hall describes the politics of online sharing, the battles against the current intellectual property regime, and the actions of Anonymous, LulzSec, Aaron Swartz, and others, and he explains Creative Commons and the open access, open source, and free software movements. But in the heart of the book he considers how, when it comes to scholarly ways of creating, performing, and sharing knowledge, philosophers and theorists can challenge not just the neoliberal model of the entrepreneurial academic but also the traditional humanist model with its received ideas of proprietorial authorship, the book, originality, fixity, and the finished object. In other words, can scholars and students today become something like pirate philosophers?</p>},
+  file      = {:recursos/Pirate-Philosophy-For-a-Digital-Posthumanities.pdf:PDF},
+  timestamp = {2017-02-20},
+  url       = {https://es.scribd.com/document/317868896/Pirate-Philosophy-For-a-Digital-Posthumanities#},
+}
+
+@Article{hall2012a,
+  author    = {Hall, Gary},
+  title     = {Pirate Radical Philosophy},
+  journal   = {Radical Philosophy},
+  year      = {2012},
+  number    = {173},
+  pages     = {33-40},
+  file      = {:recursos/Pirate_Radical_Philosophy.pdf:PDF},
+  timestamp = {2017-02-20},
+  url       = {https://www.academia.edu/11929908/Pirate_Radical_Philosophy},
+}
+
+@Article{hall2016b,
+  author    = {Hall, Gary and Adema, J.},
+  title     = {Posthumanities: The Dark Side of "The Dark Side of the Digital"},
+  journal   = {Journal of Electronic Publishing},
+  year      = {2016},
+  volume    = {19},
+  number    = {2},
+  file      = {:recursos/Posthumanities\: The Dark Side.pdf:PDF},
+  timestamp = {2017-02-20},
+  url       = {https://curve.coventry.ac.uk/open/file/71be4277-6fd3-40b4-a704-a8bee58efdfe/1/halldisruptcomb.pdf},
+}
+
+@Article{hall2009b,
+  author    = {Hall, Gary},
+  title     = {Pirate Philosophy (Version 1.0): Open Access, Open Editing, Free Content, Free/Libre/Open Media},
+  journal   = {Culture Machine},
+  year      = {2009},
+  volume    = {10},
+  file      = {:recursos/piratephilosophy.pdf:PDF},
+  timestamp = {2017-02-20},
+  url       = {http://aaaaarg.fail/thing/51c584176c3a0ed90bac0700},
+}
+
 @Comment{jabref-meta: databaseType:bibtex;}

bibliografia/bibliografia.bib.bak

@@ -255,9 +255,10 @@
 }
 
 @Book{gradin2004a,
-  title     = {Internet, hackers y software libre},
+  title     = {:(){ :|:\& };: Internet, hackers y software libre},
   publisher = {Editora Fantasma},
   year      = {2004},
+  author    = {Sterling, Bruce et al.},
   editor    = {Gradin, Carlos},
   isbn      = {9872180806},
   file      = {:recursos/Varios Autores - Internet hackers y software libre.epub:ePUB},
@@ -446,4 +447,77 @@
   url       = {https://es.scribd.com/doc/219559856/Kant-La-Metafisica-de-Las-Costumbres},
 }
 
+@Article{hall2009a,
+  author    = {Hall, Gary},
+  title     = {Introduction: Pirate Philosophy},
+  journal   = {Culture Machine},
+  year      = {2009},
+  volume    = {10},
+  pages     = {1-5},
+  issn      = {14654121},
+  file      = {:recursos/Introduction\: Pirate Philosophy.pdf:PDF},
+  timestamp = {2017-02-20},
+  url       = {http://www.culturemachine.net/index.php/cm/issue/view/21},
+}
+
+@Article{mcleod2009a,
+  author    = {McLeod, Kembrew},
+  title     = {Crashing the Spectacle: A Forgotten History of Digital Sampling, Infringement, Copyright Liberation and the End of Recorded Music},
+  journal   = {Culture Machine},
+  year      = {2009},
+  volume    = {10},
+  pages     = {114-130},
+  issn      = {14654121},
+  file      = {:recursos/Crashing the Spectacle.pdf:PDF},
+  timestamp = {2017-02-20},
+  url       = {http://www.culturemachine.net/index.php/cm/issue/view/21},
+}
+
+@Book{hall2016a,
+  title     = {Pirate Philosophy: For a Digital Posthumanities},
+  publisher = {MIT Press},
+  year      = {2016},
+  author    = {Hall, Gary},
+  isbn      = {9780262034401},
+  abstract  = {<p>In<em>Pirate Philosophy</em>, Gary Hall considers whether the fight against the neoliberal corporatization of higher education in fact requires scholars to transform their own lives and labor. Is there a way for philosophers and theorists to act not just<em>for</em>or<em>with</em>the antiausterity and student protestors -- "graduates without a future" -- but<em>in terms of</em>their political struggles? Drawing on such phenomena as peer-to-peer file sharing and anticopyright/pro-piracy movements, Hall explores how those in academia can move beyond finding new ways of<em>thinking</em>about the world to find instead new ways of<em>being</em>theorists and philosophers in the world.Hall describes the politics of online sharing, the battles against the current intellectual property regime, and the actions of Anonymous, LulzSec, Aaron Swartz, and others, and he explains Creative Commons and the open access, open source, and free software movements. But in the heart of the book he considers how, when it comes to scholarly ways of creating, performing, and sharing knowledge, philosophers and theorists can challenge not just the neoliberal model of the entrepreneurial academic but also the traditional humanist model with its received ideas of proprietorial authorship, the book, originality, fixity, and the finished object. In other words, can scholars and students today become something like pirate philosophers?</p>},
+  file      = {:recursos/Pirate-Philosophy-For-a-Digital-Posthumanities.pdf:PDF},
+  timestamp = {2017-02-20},
+  url       = {https://es.scribd.com/document/317868896/Pirate-Philosophy-For-a-Digital-Posthumanities#},
+}
+
+@Article{hall2012a,
+  author    = {Hall, Gary},
+  title     = {Pirate Radical Philosophy},
+  journal   = {Radical Philosophy},
+  year      = {2012},
+  number    = {173},
+  pages     = {33-40},
+  file      = {:recursos/Pirate_Radical_Philosophy.pdf:PDF},
+  timestamp = {2017-02-20},
+  url       = {https://www.academia.edu/11929908/Pirate_Radical_Philosophy},
+}
+
+@Article{hall2016b,
+  author    = {Hall, Gary and Adema, J.},
+  title     = {Posthumanities: The Dark Side of "The Dark Side of the Digital"},
+  journal   = {Journal of Electronic Publishing},
+  year      = {2016},
+  volume    = {19},
+  number    = {2},
+  file      = {:recursos/Posthumanities\: The Dark Side.pdf:PDF},
+  timestamp = {2017-02-20},
+  url       = {https://curve.coventry.ac.uk/open/file/71be4277-6fd3-40b4-a704-a8bee58efdfe/1/halldisruptcomb.pdf},
+}
+
+@Article{hall2009b,
+  author    = {Hall, Gary},
+  title     = {Pirate Philosophy (Version 1.0): Open Access, Open Editing, Free Content, Free/Libre/Open Media},
+  journal   = {Culture Machine},
+  year      = {2009},
+  volume    = {10},
+  file      = {:recursos/piratephilosophy.pdf:PDF},
+  timestamp = {2017-02-20},
+  url       = {http://aaaaarg.fail/thing/51c584176c3a0ed90bac0700},
+}
+
 @Comment{jabref-meta: databaseType:bibtex;}

bibliografia/bibliografia.html

@@ -508,6 +508,22 @@ p.infolinks { margin: 0.3em 0em 0em 0em; padding: 0px; }
 	<td>inbook</td>
 	<td><a href="https://papers.ssrn.com/sol3/papers.cfm?abstract_id=1980852">URL</a>&nbsp;</td>
 </tr>
+<tr id="hall2009a" class="entry">
+	<td>Hall, G.</td>
+	<td>Introduction: Pirate Philosophy</td>
+	<td>2009</td>
+	<td>Culture Machine<br/>Vol. 10, pp. 1-5&nbsp;</td>
+	<td>article</td>
+	<td><a href="http://www.culturemachine.net/index.php/cm/issue/view/21">URL</a>&nbsp;</td>
+</tr>
+<tr id="hall2009b" class="entry">
+	<td>Hall, G.</td>
+	<td>Pirate Philosophy (Version 1.0): Open Access, Open Editing, Free Content, Free/Libre/Open Media</td>
+	<td>2009</td>
+	<td>Culture Machine<br/>Vol. 10&nbsp;</td>
+	<td>article</td>
+	<td><a href="http://aaaaarg.fail/thing/51c584176c3a0ed90bac0700">URL</a>&nbsp;</td>
+</tr>
 <tr id="lessig2009a" class="entry">
 	<td>Lessig, L.</td>
 	<td>El código 2.0</td>
@@ -516,6 +532,14 @@ p.infolinks { margin: 0.3em 0em 0em 0em; padding: 0px; }
 	<td>book</td>
 	<td><a href="https://www.traficantes.net/libros/el-codigo-20">URL</a>&nbsp;</td>
 </tr>
+<tr id="mcleod2009a" class="entry">
+	<td>McLeod, K.</td>
+	<td>Crashing the Spectacle: A Forgotten History of Digital Sampling, Infringement, Copyright Liberation and the End of Recorded Music</td>
+	<td>2009</td>
+	<td>Culture Machine<br/>Vol. 10, pp. 114-130&nbsp;</td>
+	<td>article</td>
+	<td><a href="http://www.culturemachine.net/index.php/cm/issue/view/21">URL</a>&nbsp;</td>
+</tr>
 <tr id="breakey2010a" class="entry">
 	<td>Breakey, H.</td>
 	<td>Natural Intellectual Property Rights and the Public Domain</td>
@@ -556,6 +580,14 @@ p.infolinks { margin: 0.3em 0em 0em 0em; padding: 0px; }
 	<td>article</td>
 	<td><a href="http://doi.org/10.1007/s10982-011-9114-1">DOI</a> <a href="http://dx.doi.org/10.1007/s10982-011-9114-1">URL</a>&nbsp;</td>
 </tr>
+<tr id="hall2012a" class="entry">
+	<td>Hall, G.</td>
+	<td>Pirate Radical Philosophy</td>
+	<td>2012</td>
+	<td>Radical Philosophy(173), pp. 33-40&nbsp;</td>
+	<td>article</td>
+	<td><a href="https://www.academia.edu/11929908/Pirate_Radical_Philosophy">URL</a>&nbsp;</td>
+</tr>
 <tr id="lever2012a" class="entry">
 	<td>Lever, A.</td>
 	<td>New Frontiers in the Philosophy of Intellectual Property</td>
@@ -588,6 +620,22 @@ p.infolinks { margin: 0.3em 0em 0em 0em; padding: 0px; }
 	<td>book</td>
 	<td><a href="https://epublibre.org/libro/detalle/29988">URL</a>&nbsp;</td>
 </tr>
+<tr id="hall2016a" class="entry">
+	<td>Hall, G.</td>
+	<td>Pirate Philosophy: For a Digital Posthumanities</td>
+	<td>2016</td>
+	<td>&nbsp;</td>
+	<td>book</td>
+	<td><a href="https://es.scribd.com/document/317868896/Pirate-Philosophy-For-a-Digital-Posthumanities#">URL</a>&nbsp;</td>
+</tr>
+<tr id="hall2016b" class="entry">
+	<td>Hall, G. and Adema, J.</td>
+	<td>Posthumanities: The Dark Side of "The Dark Side of the Digital"</td>
+	<td>2016</td>
+	<td>Journal of Electronic Publishing<br/>Vol. 19(2)&nbsp;</td>
+	<td>article</td>
+	<td><a href="https://curve.coventry.ac.uk/open/file/71be4277-6fd3-40b4-a704-a8bee58efdfe/1/halldisruptcomb.pdf">URL</a>&nbsp;</td>
+</tr>
 <tr id="rangel2016a" class="entry">
 	<td>Rangel Medina, D.</td>
 	<td>Panorama del derecho mexicano. Derecho intelectual</td>